MSO Brahms and Tchaikovsky Review (Geelong Performing Arts Centre)
Summary: The MSO's performance was, in a word, faultless. Closing one's eyes, it was easy to imagine the music emanating from a celestial choir. My sincere admiration and gratitude to all the musicians for such a sublime and unforgettable experience.
5
Faultless
A palpable anticipation hung in the air before the Melbourne Symphony Orchestra’s (MSO) performance of Brahms and Tchaikovsky in Geelong on March 14th. Would it be a flawless rendition? Would there be unforeseen moments of brilliance? As always, the MSO delivered a performance that underscored its status as a world-class ensemble.
Under the masterful direction of Umberto Clerici, the orchestra performed with remarkable precision and unity. Clerici, a distinguished cellist and Chief Conductor of the Queensland Symphony Orchestra, seemed to embody the music, guiding the MSO with an almost telepathic connection. His conducting was truly marvellous, a testament to his deep understanding and passion for the repertoire.
The evening’s highlight, however, was undoubtedly principal cellist Elina Faskhi’s enchanting performance of Tchaikovsky’s Variations on a Rococo Theme. An internationally renowned cellist, Faskhi’s artistry was nothing short of mesmerizing. She and her instrument became one, her playing imbued with a transcendent quality, almost as if she were in a trance. Yet, her performance remained perfectly aligned with Clerici’s vision. The sound of her cello was exquisite, a silken melody that flowed effortlessly, weaving itself into the fabric of the orchestra.
The MSO’s performance was, in a word, faultless. Closing one’s eyes, it was easy to imagine the music emanating from a celestial choir. My sincere admiration and gratitude to all the musicians for such a sublime and unforgettable experience.
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