The Smurfs
Reviewed
by
Sophie Whin on
September 20th, 2011
Sony Pictures presents
a film directed by
Raja
Gasnell
Screenplay
by
J.
David Stern, David N. Weiss, Jay Scherick and David Ronn
Starring:
Neil
Patrick Harris, Hank Azaria, Jayma Mays, Sofia Vergara and Jonathan
Winters
Running
Time:
102 mins
Rating: G
Released: September 29th,
2011
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2/10
|
In an age
of sublime computer animation and
clever storylines that appeal to both children and adults, The
Smurfs silver screen debut is almost an insult. Not only does
the plot lack any cohesive direction but the mash up of animation
versus the
‘real world’ removes the magic that is so important to the conception
of Smurfs
as otherworldly beings. With directorial credits including Scooby-Doo
(1999) and Beverly
Hill Chihuahua (2008), Raja Gasnell has certainly kept to an
increasingly
boring formula that highlights a lack of creativity and ultimately
leaves the
audience wondering ‘why’? The film
kicks off with a brief introduction to
the world of the Smurfs, who live in a perpetual state of happiness,
despite
being continually subjected to the cruel intentions of their enemy
Gargamel
(Hank Azaria) and his cat sidekick Azrael. Following yet another
altercation
with their foe, Papa Smurf (voiced by Jonathan Winters) and a motley
crew of
little blue guys flee to modern day New York in the hope of escaping
Gargamel’s
evil clutches. Predictably, the villain follows them to the Big Apple
and the
Smurfs are forced to seek help from advertising executive Patrick (Neil
Patrick
Harris) and his pregnant wife Grace (Jayma Mays). Wrestling with his
anxiety of
impending fatherhood and the arrival of the Smurfs in his life, Patrick
is
forced to address his fears and help the magical midgets get back to
their home
world.
The
amount of factors that contribute to this
train wreck are numerous. The overly predictable plot and clunky
dialogue are
the front-runners for why this film is almost unwatchable, especially
when in
lieu of actual sentences the writers use the word Smurf instead (‘That
is so
Smurf!’ ‘Smurf you!’ ‘I kissed a Smurf and I Smurfed it’ etc). This
form of
dialogue is prevalent in the original cartoon but on the big screen it
displays
laziness instead of creating a more polished script. The human
characters in
comparison to the digitalized Smurfs look out of place and the comedic
talents
of Azaria and Harris are wasted in favour of cutesy moments, complete
with
lessons learnt and triumph over evil. The star power of Sofia Vergara
and Neil
Patrick Harris doesn’t do the film any favours and the human scenes
between the
two are humourless and boring. The film’s focus is of course on the
Smurfs, yet
if the creators insisted on including humans couldn’t they have made
them with
a semblance of charisma? The animation of the Smurfs themselves is
vibrant but
not groundbreaking and watching the film in 3D will not enhance this
abysmal
experience. If there can be found one
ounce of entertainment in this film it is in the portrayal of Grace by
Jayma
Mays. Wide-eyed and enchanted by her minute houseguests, Grace gives
the story
a heart that is barely beating. Her scenes are strikingly simple and
yet she
conveys the wonderment that every human would surely experience if they
happened
upon a happy, singing little creature.
The
creators of The Smurfs must have been working under
the assumption that
children are not intelligent: put something colourful in front of them
and
they’re squeal like its Christmas morning. This belief should be
immediately
discounted, as personal experience suggests that children want more
than little
blue things shouting ‘Smurf’ at opportune moments (not a giggle nor a
gasp was
heard at the media screening). Having been educated by the gold of
Pixar and
DreamWorks animation, this reviewer left the theatre with a serious
case of the
blues that was only cured by a beacon of hope in the form of The Pirates! Band of Misfits, which will
be released later this year.
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