The Guard
Reviewed
by George
Constantin on
August 22nd, 2011 Paramount Pictures presents
a film directed by John
Michael McDonagh
Screenplay
by John Michael McDonagh
Starring:
Brendan Gleeson, Don Cheadle, Liam Cunningham, Rory Keenan
and Mark Strong
Running
Time:
96 minutes
Rating:
M
Released:
August
25th, 2011
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8/10
|
The
Guard
is Irish writer-filmmaker John Michael McDonogh's first
feature film. Being the older brother of playwright, screenwriter and
fellow director
Martin McDonogh of In Bruges (2008)
fame, which also starred veteran actor Brendan Gleeson, meant the
inevitable comparison.
Both films have rather obvious similarities, in particular, their
strong elements
of black comedy. The Guard is the
brighter, more upbeat and less subtle of the two but also it seems the
perfect
vehicle for Gleeson. Gleeson plays Sergeant Gerry Boyle, a small-town
policeman
with totally unconventional methods (to say the least), with a penchant
for call
girls often dressed as policewomen, complete with short skirts and silk
stockings, Russian literature, and occasionally, drugs. He even drinks
regularly on duty. Boyle has a softer side as well. He is totally
devoted to
his terminally ill mother (Fionnula Flanagan), and regularly visits her
at the hospice.
The
plot gathers pace when a
new police recruit, Aidan McBride (Rory Keenan) arrives in town. This
is just
as Boyle begins to investigate a bizarre murder, where the victim has
pages
from the Bible stuffed in his mouth, a pot plant between his legs, and
the
number 5 1/2 scribbled on the wall. McBride offers a possible
explanation (and to
show off his cultural prowess) by mentioning a number of films that
have
numbers as their title - such as David Fincher's Se7en (1995),
and even Federico Fellini's 8 ½ (1963). Boyle is not
impressed as he brushes off his newly
acquired subordinate. Boyle is suddenly ordered
off the case and is summoned to Galway to attend a briefing provided by
visiting FBI agent Wendell Everett (Don Cheadle) on a suspected $500
Million
cocaine smuggling operation. During the briefing, Boyle winds up
Everett by
pointing out that, "I thought only black lads are drug dealers...and
Mexicans", and when told to withdraw the remark, he promptly replies
"I'm Irish. Racism is part of my culture".
Boyle
accompanies Everett
back to Connemara, his stomping ground and the unlikely scene of the
suspected drug operation. The two men begin to develop a mutual respect
for one
another, but Everett still can't figure out the burly Irishman as he
ponders,
"I can't really tell if you're really smart or really dumb". As Boyle would say: "This is something
for us to know and for you to find out".
The
Guard
has a great support cast that includes Mark Strong,
once again, in familiar territory as a villain, along with Liam
Cunningham and
David Wilmot, as well as Dominique McElligott and Sarah Greene as
Boyle's
favourite call-girls. Katarina Cas plays Gabriela, the wife of Aidan
McBride. The Guard is in the tradition of films
like Snatch (2000), Lock, Stock and Two
Smoking Barrels (1998),
and of course, In Bruges. Despite all
the violence, racism, xenophobia, as well as other manifestations of
socially
unacceptable standards, The Guard is
for the most part, hilariously funny. Hopefully, the older McDonogh
will one
day manage to step out of his younger brother's shadow. Only time will
tell.
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