The Amazing Spider-Man (3D)
Reviewed
by
Damien Straker on
July 4th, 2012
Sony presents
a film directed by Marc Webb
Screenplay
by James Vanderbilt, Alvin Sargent and Steve Kloves, based
on the comic book by Stan Lee and Steve Ditko
Starring:
Andrew Garfield, Emma Stone, Rhys Ifans and Martin Sheen
Running
Time: 136 mins
Rating: M
Released:
July 4th,
2012
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7/10
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This is a reboot of the Spider-Man franchise,
tracing Peter Parker's (Andrew Garfield) upbringing from a small child. Feeling
his family is endangered because of revelations in his scientific work, Peter's
father Richard decides to leave his son to be raised with his Aunt May and Uncle
Ben (Martin Sheen). Growing up as a teen, Peter is an intelligent but isolated
and bullied high school geek. He is also too shy to try and grab the attention
of Gwen Stacy (Emma Stone). Intrigued by a document he finds at home, Peter
decides to investigate his father's work, leading back to the scientist Dr.
Curt Connors (Rhys Ifans). Connors worked with Richard, preparing a cross
species breeding program that is meant to allow people to regrow their limbs
like reptiles. When Peter is bitten by a spider in the lab, he obtains
incredible feats of strength and agility. Soon after, an argument breaks out at
home one night, which sees Uncle Ben searching for Peter, only to be shot dead
by a street thug. Looking to avenge his uncle's death, Peter uses his new found
powers to track down the criminal. Yet he also realises that in between his personal
revenge and eventual romance with Gwen, there is a greater threat to the city
awaiting him.
"We'll meet again, Spider-Man," the
Green Goblin once said. 'And again and again,' he should have added. Marvel's
most famous superhero dates back to the 1960s and has survived crossing into
numerous mediums, from comic books, animated TV shows and several film
adaptations. The webslinger's invention by Stan Lee and Steve Ditko coincided
with the popularity of the 'teenager' at the time. The comics were designed to
appeal to a specific demographic by giving a superhero a set of teenage
problems that were relatable to the readers. However, it took an alleged
twenty-five years of development trouble, which included a script treatment
written by James Cameron at one point, before the first film arrived in 2002. Sam
Raimi's films proved to be outstanding adaptations of the comics because he
found the balance between the action and the humanity too. All of his
characters were ordinary people, fitting their heroics into their ordinary lives,
and not the other way around. That's an immensely appealing aspect for anyone
easily bored by computer generated fight sequences. Like it or not, Sony have
decided to reboot the franchise just a decade since the start of the original
trilogy. Raimi was originally meant to make an additional number of sequels but
withdrew due to scheduling. Replacing him, Tobey Maguire and Kirsten Dunst, is
director Marc Webb and his young cast. Webb emerges from a background in music,
directing videos for artists like Miley Cyrus and Green Day. He made his first
feature a few years ago with the romantic comedy-drama (500) Days of Summer (2009). I don't have the same admiration for
that film as others do and his limited cinematic filmography makes him an
unusual choice for a blockbuster. With a relatively inexperienced film director,
Sony has opted to take the safe route as far as a reboot is concerned. The film
is not as great or as radical a reimagining as Casino Royale (2006) and Batman
Begins (2005) were to their respective franchises. This is because it does
not stray heavily from the trajectory of the '02 film. It presents familiar
events with a darker tone, running into a few bumps along the way, but successfully
introducing a handful of attractive new elements.
The craft of the film alone is superb: the action
is excitingly staged and the story is told with great confidence. Yet at 136
minutes the film is overlong and opens with a problematic first half. The tone
shifts sometimes jarringly between melancholy, dwelling on Peter's isolation
from his parents, and the slapstick transformation into the webhead. It also
takes close to an hour into the film for Peter to don the suit properly, which
means that some key plot points, including Uncle Ben's fate, are visible but
longingly withheld. Yet once the film establishes itself it allows for a funny
and entertaining payoff. In spite of much of its predictability, a significant
factor in the enjoyment of the film is the new relationship between Gwen and
Peter. In the comics Gwen Stacy, who predates Mary Jane Watson as a love
interest, didn't actually meet Peter till he was in college. Webb has chosen to
bring her arc in early to freshen up the story. It's a masterstroke. The
chemistry between the leads, courtesy of Emma Stone's infectious energy levels
and boundless charisma, is warm and very satisfying. Is there a more charming
young talent in Hollywood at the moment? Her presence is faultless. Garfield
grows steadily into the film because at first he really is a teenager: not much
of a talker and slightly difficult to embrace. But when he transforms into
Spidey he's funny and playful with the role and that's much more enjoyable to
watch. Additionally, Martin Sheen gives his experience and class to Uncle Ben
and Rhys Ifans has access to a rounded villain too, one who is interested in
genetic engineering, which adds touches of science and moral questions about
genetic engineering against natural evolution. Is the film a necessary
inclusion though? Not really. Those who haven't watched the original films will
find it most engaging but it is still well-made, convincingly acted and fun. I
just hope that the inevitable sequel has a few more surprises.
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