Higher Ground
Reviewed
by
Sophie Whin on
October 7th, 2011
Sony Pictures presents
a film directed by
Vera
Farmiga
Screenplay
by
Carolyn
S. Briggs and Tim Metcalfe
Starring:
Vera
Farmiga, Joshua Leonard, Dagmara Dominczyk Hawkes
Running
Time:
112 mins
Rating:
M
Released:
October 6th,
2011
|
7/10
|
Following
her fast track to stardom in Jason
Reitman’s Up in the Air (2009), Vera
Farmiga has been a very busy woman. Most recently she has tried her
hand at
directing, with her debut Higher Ground, which
unfortunately does not measure up to her earlier acting credits. Fear
not
though, as the film does contain shades of brilliance that will no
doubt be
continued in any future projects she may tackle. If it wasn’t enough to
be the
debut director of this film, Farmiga is also the star in the form of
Corrine,
who navigates her daily life and relationships through the insular
environment
of her small church community. Higher
Ground kicks
off with an exploration of Corinne’s childhood and her formulative
teenage
years, which have had an enormous impact on her life as an adult. When
Corrine’s
young husband Ethan (Boyd Holbrook) and her (Tisa Farmiga) are in car
crash and
their infant child miraculously survives, the family believes that it
was an
act of God and begin to devote themselves to the church and community.
Now an
adult and fully immersed in the ritual of her church group, Corrine
finds it
difficult to hold her belief in God whilst still maintaining a
connection with
the people around her. In particular, Corrine begins to draw away from
Ethan
(Joshua Leonard) who delves increasingly deeper into the orthodox
teachings
of the Bible. The distance from her husband coincides with the tragic
degeneration of her closest friend Annika (Dagmara Dominczyk), with
Corinne
beginning to question the certainty of her faith and how it influences
the
decisions she makes in regards to herself and her family.
Lifted
from Carolyn S. Briggs’ memoir ‘The Dark
World’, the film is divided into four parts: Summoned, Consumed,
Wilderness and
Wrestling Until Dawn. Each part chronicles the journey of Corinne and
the
experiences that convert her to the church, while simultaneously making
her
question its teachings. The actual lengths of the segments vary and
overall
they make it hard to explore the actual arc of the central character.
Corinne’s
origins are explored in great detail but her present memories are
whisked away
in favour of a muted conclusion. Higher
Ground’s closing does not do justice to its build up and
unfortunately we
are left with the same ambiguity that is presented to us in the
beginning: is
Corinne leaving the church? Is she staying with her family? By breaking
up the
story, the direction of the piece is lost and we are left with only
snippets of
her life that leave us confused and take away from the driving force of
Corrine’s own awakening. The exploration of the surrounding characters,
especially
her friend Annika, as well as her mother (Donna Murphy) and father
(John
Hawkes) should have had closer examination, with the prevailing thought
that
they were altogether, proving more interesting than Corinne’s own
family life.
Perhaps if Farmiga had focused not on one single character we would have a more
rounded
piece that complemented the highlighted struggle with faith.
The shots
of Corinne’s life are intercut with
brightness and colour, which makes it hard to fathom her eventual
rejection of
the church (although Vera Farmiga somehow makes this believable) but
adds to
the nostalgia of the past. The gravity with which religion is respected
in this
film cannot go without note. We are witness to a crisis of faith and
yet though
a superb screenplay the film manages to steer away from caricatures and
Bible
bashing, towards a gentle questioning about how we all fit into an
infinite
plan. Dealing with such a fragile subject, Farmiga has managed to
present a
film that highlights the flaws and strengths of religion but does not
champion
either opinion. Ultimately the film uses these issues to discover how
we as
human choose are own paths and how that affects the relationships
around us.
|