Sergio Leone as the
director of this film should be ashamed of the overtly sexually inappropriate
misogyny that is seen throughout this film. All kinds of distasteful content
that is possible to see in its picture form is portrayed. Whether it is rape
or nude minors there is nothing left untouched by the editors. I may be a
little prude to point out such details but some things no adult really wants
to see and it can be quite unsettling to watch and there is a lot of violence
and even drug use!
It is a controversial
belief of this film that the whole story was just the figment of “Noodles”
(Robert Deniro) opium dream. This was only hinted at using particular simple
metaphorical elements such as the globes of lights, zooming in and out of
focus to create the effect of the whole story being a dream. We first see
Noodles lying in a Chinese opium den smoking his way to oblivion. From here
the story is taken back to his past to his childhood as a mongrel street kid
wandering around New York creating havoc. These kids needless to say turn out
to be gangsters and some serve time in prison for their incessant mayhem. The
gangsters who are seen depicted are further partly a figment are Jewish and
they are terrifically ruthless to the citizens and law enforcers of New York.
This story is about their lives in this role and doing numerous jobs for the
local Mafia.
The violence of this film
can be quite shocking both in its visual aspect and the suddenness of when it
is struck. It is not predictable and therefore shares similarities to some
thrillers. The opening scene that we see where a woman is shot will shock the
audience in its violent character. If that’s not enough to get the moral
bells ringing then after that we see a man beaten within an inch of his life
and then left, covered in blood.
The other dodgy content
that I have already mentioned is an embarrassment to viewers and insulting to
think that this sort of content is some form of entertainment. These scenes
obviously were shown to shock the audience and therefore create an everlasting
impact and burn the film on the retina for a long time to come. I am
certainly not saying that all violent films are bad but am saying there is a
line that directors should not cross. This line on the less offensive side
can be done with style and grace whereas when the line is crossed to the
morbidly explicit some directors don’t know when to stop!
Overall the film was
sometimes difficult to understand in the form that some elocution will be
undecipherable on initial viewing. The commentary is brilliant in the special
Features and will be of interest to movie connoisseurs.
Once Upon a Time
in America Features |
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