Do you see the picture of
the woman gentleman; this is the best part of the film because I sure for the
life of me don’t understand the rest of it. Parties and decadent lifestyle
reflecting the fashion of the era is mostly what this is about. It is a great
panorama of the lifestyle that many experienced during the 60’s. There are no
special effects, in black and white and last but not least, floridly in
Italian. There is even some things that are said that failed to be translated
and you may find yourself thinking, did he say “Yes” or “No” or “Wow are they
real?”.
The films main character
Marcello is part of the social framework of Italy with lavish parties, avant
garde fashion, the works. Marcello is a journalist jaded about the profession
and a playboy to boot. He is with a girlfriend at the start but finds himself
living for the thrill of the chase. An American film star comes to town (the
one on the cover) and Marcello is out chasing skirts once again until the
whole cycle is repeated. Well it seems that way to most viewers I kinda got
lost about quarter way through it (sorry ed). Marcello meets up with his
father who attempts to re-acquaint severed ties. Later, drama ensues. The
confusing plotline had this reviewer scratching his head.
This of course is the
problem with this film and as it is so damn long you could haemorrhage from
the concentration it requires for full comprehension (joke). Mostly though,
the film is about a guy (Marcello) womanising going to parties in Italy. He
has arguments with women that are interested in him because he does not seem
to stay around any of them for long enough to establish any form of
commitment.
The special features are
far and few between and do not really add to the experience much at all.
There is a bit of advertising and trailers about other films by Umbrella
Entertainment. Nothing extraordinary but isn’t that woman on the front cover
a fox!
Overall to all-young
people don’t watch it unless you are studying theatre studies at school. To
older folk that might have been alive in the 60’s may be able to understand
it. The dry doer approach with this film may turn off people who are not
affiliated with European culture.
La Dolce Vita
Features |
- Motion Menu
- Filmographies
- Trailer
- Umbrella Propaganda
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