Say his name in the
reflection of the mirror and he will appear with a hook inserted into his
bloody stump and cut you open. Well that’s what happens in the film anyway
based on an urban legend made up to be told at campfires, frightening the heck
out of anyone who comes within hearing distance. Is it just a figment of
Helen’s Lyles (Virginia Madson) fragmented mind? You be the judge and it is
not until the end when the viewer finds out.
Helen and her friend
Bernadette Walsh (Kasi Lemmons) are students at an American University
studying Urban mythology for their masters degree. They are writing a thesis
on an Urban Legend called the Candy man who seems more than just a myth after
the deaths of a few people in downtown Manhattan. The two students go to
investigate the brutal murder of a woman by the hands of the alleged serial
killer. Was it done by Helen in a spell of madness or is the Candyman real
and exists in another realm unperceivable to ordinary citizens of the city.
Including the doctors admitting Helen to a Psych hospital for her prominent
mental illness.
The questions that this
film implies is interesting. Is it possible to become so unaware of actions
that a subject will have doubt instilled about their own actions and their own
part of the story? Does Helen do these things or is the myth of the Candyman
a reality? Her research and visions point towards the latter. But this is
the viewpoint that the camera sees through the eyes of Helen and not what
everyone else is seeing. This alternate reality is not evident as being real
throughout the film but the rhetorical question and crux of the story remains
to be discovered until the end.
The story is interesting
and captivating enough to be worthwhile. Keep in mind that even though it
sounds like a deep psychological thriller, there is not a lot of thinking
needed to enjoy it. Sure there is an element of questioning that goes with it
as a side dish. But this finger food of thought goes with the enjoyment and
not vital for comprehension of the story.
To fans of horror this
feature is not as scary as the sixth sense and has not got a lot in it to
scare the pants off viewers. The exemplary use of blood and the voice of the
Candyman will make the viewer think twice about looking at mirrors and
repeated his dreaded name. The Candyman’s voice is suitably menacing and
transcends his need to actively speak and his thought is input into Helen’s
mind in a deep tone tempting Helen to test her own boundaries. An example
“Soon everyone you know will abandon you, and you will be left with only me”
beckons Helen to go into derelict apartments and uncover her own cataclysm of
psychological despair.
Overall Candyman is an
excellent story of horror and thrilling and thought provocative media.
Recommended to all horror fans. The extras are informative but not a great
deal is said about the actors and directors history’s. There are bigraphies
of the director, and two of the main actors, including Virginia and Tony Todd
(the actor who plays as the Candyman)The picture is sharp and the orchestral
soundtrack is intense and compelling, perfect for the subject matter.
Candyman
Features |
- Teaser trailer - Trick or Treat
- 2 Theatrical trailer - The Step Father + Candyman
- 3 Cast/crew biographies
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