Tape
centres around three friends who are forced to confront an
incident in their shared past. Fire-fighter and drug
enthusiast Vincent (Ethan Hawke) has arranged a meeting with
high school friend John (Robert Sean Leonard). John is now
an almost successful director, awaiting the premiere of his
first film; he does not expect the ulterior motive Vincent
has for them meeting. Vincent is trying to get to the truth
of wether or not John raped their mutual friend Amy (Uma
Thurman) ten years ago in high school; John is unaware that
Vincent is taping their conversation, and that he has
arranged for Amy to also meet the two of them. What follows
is an unravelling of their friendships as they are forced to
take a hard look at their actions – both past and present.
Tape
is an independent production with a high calibre cast
focusing primarily on the script and performances of the
actors. The entire film takes place in one very average
motel room, in real time. There is no music throughout the
film, which only serves to focus attention on the
conversation between the three characters.
Tape was filmed
on high definition video giving a more immediate and
intimate feel to the proceedings, we are eavesdropping on a
real conversations rather than something scripted. Stephen
Belber’s screenplay (based on his original play) is very
involving, helped by the fine performances of the three fine
actors involved and the no frills direction of Richard
Linklater.
Hawke
portrays Vincent with a manic edge, at times it does
slightly over the top. Vincent seems only to want to get
the true story out for his own selfish reasons. He and Amy
had a relationship in high school, one he is still obsessing
over 10 years later. As the instigator for much of the
films events Vincent is not a character you find yourself
cheering for, indeed all three characters have their flaws.
John, the “villain” of the piece according to Vincent is
far more likable than Vincent, despite having apparently
raped Amy; Leonard gives a subtle performance that shows the
ambiguous nature of the situation and script. Likewise
Thurman’s Amy is not the victim she is painted as in the
first half of the film – how can someone be a victim of a
crime if they don’t believe a crime occurred? Three
different people with Three different perceptions of the
same incident, ambiguities that make
Tape complex and
intriguing viewing.
Tape
is a very basic DVD package. Included along with the film
is the trailer, actor/writer/director biographies and
information on film company InDigEnt. Also included are
trailers for other upcoming films. Ironically the stripped
down nature of the DVD package mirrors the minimalist
trappings of the film itself.