Mad Men Season 5
I don’t know about you, but it’s been so
long since Season 4 of Mad Men ended that by the time Season 5
rolled around I couldn’t actually remember too much of the preceding
storyline.
For those who need a quick refresher, much
of the previous season took place at Sterling Cooper Draper Price, the
new advertising agency started by Don Draper (Jon Hamm) and three of his
former Sterling Cooper cohorts. The season saw Draper estranged from
his wife Betty (January Jones) and his children, descending into
alcoholism and all-around douchebaggery. He also engaged in a lot of
meaningless, emotionless sex, even by his own staggering standards.
Season 5 opens with things seemingly going
swimmingly with Draper’s career and his new marriage to his former
secretary Megan. Megan is evidently aware of Don’s past and his true
identity, and the resolution of the four season ‘identity
crisis/switched placed with a dead man’ arc means the season can focus
more on a handful of intriguing new characters and also takes the series
in a couple of surprising directions (the current season is the freshest
of the past three, at least). Roger Sterling (John Slattery) is the
same irascible old coot, and as ever provides much of the comedic
impetus in calling Draper on his numerous personal issues, and Vincent
Kartheiser is typically excellent as the ambitious upstart Pete
Campbell. Community’s excellent Alison Brie is once again wasted
in her nothing bit part as Campbell’s wife, though she does her best to
wring some levity out of her scenes, and the increased prominence of the
complex young Sally Draper character adds another interesting dimension
to the Draper family dynamic.
Snappy writing, the usual slew of
impeccable performances, a handful of truly inventive story arcs and the
addition of some well-chosen and worthwhile bonus material make Season 5
of Mad Men an impressive release indeed.
Bonus Features
Commentary with writers, directors and
actors on selected episodes, and a variety of in-depth Making Of and
Behind the Scenes Featurettes (including a fascinating analysis of the
work of Giorgio de Chirico, whose art provided the inspiration for
Season Five’s promotional imagery).