Red 5 begin another new series by reimagining the 
			Golden Age character Moon Girl formerly of EC Comics. Writers 
			Tony Trov and Johnny Zito take readers back to the pulp 1950’s of 
			New York. The press release claims it mixes The Dark Knight 
			and Mad Men so it’s got some high expectations to meet. 
			
		
			
			Moon Girl is a 
			superhero during the 1950’s. She balances the responsibilities of 
			her super heroics with a job as a nurse. Issue 1 starts with a bang 
			as Moon Girl is taking down her former mentor Satana and a bunch of 
			low level cronies. Such a beginning was good as it set the tone for 
			the comic, there’s a lot of energy and it moves fast, but I never 
			knew who Moon Girl was and after reading the whole of issue 1 I 
			still don’t have too much of an idea of who she is and what she can 
			do.  
			
			Outside of not knowing who Moon Girl really is, 
			and feeling like I’ve been dropped into some greater storyline, the 
			plot feels like a classic superhero tale with devious villains and a 
			plot to change the world. It’s unfortunate that even in Moon Girl’s 
			other life we aren’t given much information about who she is, and 
			while the relentless pace gives the story energy it also compounds 
			the feeling of confusion as your introduced to all these new 
			characters and then quickly move on to something else with no 
			explanation.  
			
			While the storytelling feels all 
			over the place the artwork is really superb. Rhazzah Wundabar 
			captures the action really well. It feels brutal and quick and it’s 
			just a great issue to look at. To fulfill that Mad Men claim 
			we probably should have seen a few more cigarettes and martinis but 
			you do feel it’s the 50’s and it’s kind of glamorous while at the 
			same time being dirty and a bit sleazy. Rhazzah also does something 
			different; he’s created a bright and colorful noir world. The way 
			characters are drawn, the way they act and some of the locations are 
			very noir-esque but there’s a lot of color here and energy that is 
			generally missing from noir 
			tales. 
			It was refreshing and further helped Rhazzah’s beautifully painted 
			pages standout from the crowd. The lettering, on the other hand, was 
			almost a throwback to the old Batman TV show with the 
			onomatopoeia a bit of an eyesore enveloped in crazy colors and 
			imposing itself on the artwork. 
			 
			
			Moon Girl #1 is 
			glamorous and decadent at the same time. There’s the filthy 
			underbelly of The Dark Knight mixed in with the swinging, 
			sexy workplace of Mad Men. It’s just a shame that the story 
			telling was all over the place and left the reader really confused. 
			It was a very pretty issue to look at but not an easy one to follow. 
			A tale of two books Moon Girl might be one worth waiting on 
			to see how it pans out.