Films

Published on March 7th, 2019 | by Sean Warhurst

Captain Marvel – Film Review

Reviewed by Sean Warhurst on the 6th of March, 2019
Marvel Studios presents a film by Anna Boden and Ryan Fleck
Produced by Kevin Feige
Written by Anna Boden, Ryan Fleck and Geneva Robertson-Dworet
Starring Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Annete Benning
Edited by Elliot Graham and Debbie Berman
Running Time: 124 minutes
Rating: M
Release Date: March 7, 2019

It’d be almost impossible to write a review about Captain Marvel, the 21^st entry in the ever-expanding MCU and the first to showcase a female protagonist, without at least acknowledging the backlash from a small but vocal portion of the cinematic universe’s fanbase regarding the perceived use of the film by star Brie Larson as a platform for feminist activism, but guess what? That cosmic sized elephant in the room is going to be not-so-subtly sidestepped here to focus on what is truly important: The content of the film itself.

Gender politics and the schism that somehow still exists between fans who desire equal representation in films and those who want to keep perpetuating the stereotype of bitter manchildren who can’t accept equitable representation in pop culture have overshadowed the content and, indeed, the intent of Captain Marvel during the lead up to its release, but now that the film has hit cinemas, it’s time to judge it upon its own merits and how it fits into the MCU as a whole rather than dwell on the, quite frankly, embarrassing reactions from a certain demographic of fans.

Directed by the team of Ryan Fleck and Anna Boden (Half Nelson), Captain Marvel also marks the first time a female director has been behind the helm for a Marvel film, albeit as a co-director.

The film follows the story of Vers (Brie Larson), a member of a Kree strike team lead by her mentor Yon-Rogg (Jude Law) as they seek to exterminate the threat of the shape-shifting Skrulls and put an end to a conflict that has been tearing their respective homeworlds apart for eons.

When a team of Skrulls led by Talos (Ben Mendelsohn, relishing a rare opportunity to use his native Australian accent) capture Vers and subject her to a form of mental interrogation, she soon realises that being a Human/Kree hybrid may not be the only thing that sets her apart from her fellow soldiers.

Through a series of mishaps, she find herself crash landing on C-53, the Kree designation for a little planet we call “Earth”, and encountering a fresh faced Nick Fury (A remarkably digitally de-aged Samuel L. Jackson), pulling him directly into the middle of an intergalactic war as the two team up to prevent the Skrulls from locating a device created by someone with close ties to our hero (Annette Benning) during her previous life as an Air Force pilot named Carol Danvers.

Captain Marvel isn’t the most straightforward of origin stories, which plays in the film’s favour in terms of narrative structure; we’re slowly drip fed information at much the same pace as our heroine, although astute viewers will be able to get slightly ahead of the film in certain respects due to the presence of a few familiar faces from previous MCU films.

This is actually one of my few complaints about the film, in the respect that elements of the plot that were supposed to catch viewers off-guard weren’t necessarily concealed all that well, primarily for what appears to be a few nods to fan-service rather than serving any real narrative purpose.

However, even if the trajectory of the plot isn’t entirely effective in regards to the twists and turns that crop up, one can’t deny that it’s one heck of an enjoyable journey getting from the murky beginnings to the action packed finale; although not as heavily comedic an entry as, say Ant-Man or Thor: Ragnarok, Captain Marvel is one of the more amusing films in the MCU, with Mendelsohn’s Talos, Fury and an unassuming little cat named Goose all jostling for position as the most laugh-out-loud character.

This is particularly surprising for Fury, who fans know predominately as the stoic, no-nonsense SHIELD operative. Younger and more naïve here, Samuel L. Jackson clearly took great pleasure in hamming it up and added a dimension of levity to the character that humanises him far more than any previous appearance.

The Nineties nostalgia can be laid on a little thick at times, often relying upon the reference itself rather than using it to inform a gag, and the action scenes can feel a little lacking in places, such as the incredibly murky opening battle which leads to Danvers’ capture by the Skrulls, but when everything manages to come together properly, especially in the latter two acts of the film, then Captain Marvel is as exhilarating an entry in the Marvel Cinematic Universe as the very best of them… Let’s face it – Any Marvel film that features Nirvana and Nine Inch Nails is going to get a pass from a Nineties music tragic like myself.

Fans will also get a kick out of seeing seeing how certain elements of the MCU were first established, such as Fury’s loss of his eye and his fledgling relationship with Agent Coulson, the creation of the Avengers initiative and more.

With Marvel gearing up for the next big phase of films, with many MCU stalwarts seemingly leaving their respective roles after the events of Avengers: Endgame, it’s a relief to know that strong and relatable characters such as Captain Marvel are ready to step up to the plate and lead the cinematic universe into the future; I just hope we see more from Ben Mendelsohn in this next iteration, as he certainly stole the film, in my opinion.

Special mention must also be made to the title card sequence, which was tweaked in order to honour the recently passed Stan Lee, as well as his final cameo, replete with an additional layer of Nineties pop cultural reference that sees him poring over a particular script.

An energetic action spectacle with liberal lashings of nostalgia and humour, Captain Marvel doesn’t deviate too far from the so-called “Marvel Formula” but is an enjoyable rollicking ride through both the cosmic elements of the MCU and the Nineties nonetheless.

About the Author

Sean Warhurst Avid gamer. Cinephile. Considerate lover. Neither the word Protractor or Contractor accurately conveys my position on how I feel about Tractors.

Related Posts

Mufasa: The Lion King (2024) Review →

Looney Tunes Blast Off to the Big Screen with ‘The Day the Earth Blew Up’ →

Gladiator II – Film Review →

Thrilling New Survival Film Killer Whale Begins Production in Brisbane →