It's been called the pinnacle of the sixties 'love' movement and is
also well regarded as the biggest musical moment of the modern era,
now Woodstock has finally come to a full digital format.
Filmed around the three days of the original Woodstock music
festival, the film is in its fortieth year and now looks better than
ever. Delving in with interviews from residents as the homage make
their way through the sleepy New York state town, to scattered
discussions with organisers such as Michael Lang. It follows the
artists, the stories and the progress of the festival with all the
dramas and uncertainty of performing slots, a barrage of extra
people, and the weather elements. The key to this documentary though
is it's fly on the wall ability to tap the festivals true emotion.
Instead of having a voice over chattering and forcing a direct point
of view upon you, it stands back and just asks questions of the
people that make the event happen. Roaming from simple ambience
shots they will fade into a rapid fire of crowd action and
multiangle performance reels. It gives a realistic view into what
Woodstock was really like.
The original 1970 cut of this film was 184 minutes, the director's
cut however is a massively extended 225 minutes and new footage from
Creedence Clear Water Revival, The Who, and Canned Heat, as well as
many others. They have also kept the original performances intact,
with the mesmerising Jimi Hendrix taking on that now iconic 'Star
Spangled Banner' Stratocaster breakdown and Joe Cocker delivering a
gut wrenching 'With A Little Help From My Friends'
Being that this film was filmed forty years ago is a wet crowded
muddy field, it's no surprise that even with restoration to 1080p,
the quality is still not great. There are still cracks, grains,
hairs and movement, but no amount of digital restoration will repair
that. Also due to the shooting methods at the time, a large portion
of the footage still contains the black borders of a 4:3 image, but
with up to three pictures roaming multiangle at once you barely have
time to notice. If you compare the original release to this current
disk, you can spot a vast improvement. The audio is again restored
to Dolby 5.1 and it has made a surprisingly large difference,
obviously remastered, the 5.1 has allowed a clear separation of the
low and mid tones that plagued the original release and made poor
some great performances. The new mix has some great immersive
quality's and during the more crowd focused scenes you can really
experience the surroundings. The high hertz range still sounds a
little on the pitchy side but it is so small the majority of people
won't notice at all.
This is a truly great film and deserves to be restored to the best
that technology can. Although the standard edition comes with no
special features, it is BD-Live compatible, granting access to a
exclusive media centre with downloadable content. This is now the
best quality vision of Woodstock since the performances went out
live and despite such archival footage, the restoration has worked
its charms. The innocence portrayed by the film makers subject she's
a brilliant charm that will shock and surprise most people who
presumed Woodstock was just about drugs and hippies, and if anyone
is considering visiting a music festival this summer festival
circuit, I suggest watching this film and trying to find out where
we went wrong, it really is a eye opener.